Friday, April 27, 2007

Come Widdit: Suicide Casanova

Suicide Casanova
Location: Bremerton, WA
Sounds Like: Everything I ever liked about '90s rock

Like most people in their mid-to-late twenties, I'm finding that all the bands that I used to love when I was in middle school and high school still resonate; in fact they probably make more sense now than back when I was 14 and didn't quite understand the sexual politics and emotional complexities of a band like Toad the Wet Sprocket or Candlebox. Suicide Casanova is Charley Potter's one man band and listening to the songs presented on his Myspace is like taking a time machine back to 1996.

Though he spends most of his time beating the skins for the pop-hardcore outfit Kane Hodder, Potter's side project is much more earnest and for that one characteristic, it's much easier to listen to.

I imagine that if (God forbid) Kane Hodder ever called it a day, Potter will have a very bright future ahead of him as a strong solo performer. He'd at least have one fan over here.

[Related Links]
Suicide Casanova's MySpace

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Wednesday, April 25, 2007

10 hilarious stories of the past 10 years

I've been trying to flood every publication -- from small to large -- with my work. As I've been cruising old clips, it's dawned on me that this is my 11th year of being a professional writer. It's a little strange to admit that as I'm only 25, but around this time, 11 years ago, I received a letter informing me that I was to participate in "Mirror," a Seattle Times-owned publication and the rest is history. I have seen the journalism media shift from print to Internet and all the stylistic change that goes along with it. Interestingly, I have also seen writers emerge to their own celebrity because how much freedom is allowed on the Internet. Sadly, we're only left with a handful of great writers and thousands of Hunter S. Thompson wanna-bes. Anyway, I was on the bus last Friday and I thought I'd share some of my more memorable moments of being a semi-professional interviewer guy.

1. Ryan Vs. The Rock Steady Crew (Ken Swift, Fabel), Spring 1997
Back when I didn't know anything about anything and I was just a young head who hated Diddy (f.k.a. Puff Daddy), I had a chance to sit down with the legendary Ken Swift and Fabel, who were part of a touring company for a musical called "Jam On the Groove." I made some comment where I referred to KRS-One as "old school" and Ken Swift got super pissed and said, "Kris isn't old school. I've been around longer than him." Oops. Chalk it up to the fact that I was only 15 years old, but man that was embarrassing.

2. Audio Karate Just Says No to Groupies, sometime in 2002
Audio Karate is this really great pop-punk band from California that I had a lot of respect for, not only because they write these really good songs, but also because they're four Mexican dudes in a mostly White subculture. I got into one of their shows with this girl I was sort of talking to because she knew the band. I ended up at a table with a few of the members and their friends. By the end of the night, it was me, the singer, and the girl I was there with. She was trying to get them to crash at her place. By this time, she'd been ignoring me for a good hour and she was all up on Art (the singer). He kept brushing her off and was visibly annoyed at the chick. We spent a good amount of time nerding it up and talking about recording with Trever Keith from Face to Face.

3. OMG Jim LEE!!!!!, October 1996
Within my first month as a published writer, I wanted to make the overture to interview one of my favorite comic illustrators of all time Jim "X-Men/Wild C.A.T.S./Everything Cool" Lee. So I made the effort to go to the comic store where he was signing shit and while the line wasn't that long and I totally could've scored a short interview, I geeked out and made him sign a bunch of comics before I ran back to my dad's car like a little nerd bitch.

4. Sumthin' 41, Spring 2001
Before they were platinum superstars and marrying pop princesses, Sum 41 was another Blink clone opening up for Reel Big Fish (?!?). I was assigned to interview the band for the college paper, so off I went with my PNC, James. James -- though 18 at the time -- looked a little young because Asian people don't age until we're like 80. The singer douche from the band offered James a beer and he politely declined, so singer douche says, "That's okay. We probably shouldn't give beers to a 12 year old anyway."

5. Why Linkin Park is the Worst Band Ever, Spring 2001
Other than their music, Linkin Park committed the ultimate sin by outright denying a scheduled interview to go bang some underage girls. Here's the story: I was contributing to Vinyl Exchange back in 2000/01, right when Linkin Park was taking off. Since they had a DJ, I thought I would give my girl, DJ Stef, a nice little write up about DJ Joe Hahn for her site. First I sent their press person an e-mail. Her assistant replied saying that Linkin Park has gone Gold and just played Conan O'Brien so they were too busy to talk to a small publication. I just chalked it up to large egos within the group and called it a dead interview. I think their press coordinator got wind of this because she called me a few days later apologizing for her assistant. We set up an interview with Hahn under the condition that it would only be printed in Vinyl Exchange (I think this had something to do with street cred, since VE was one of the only respectable hip-hop sites at the time). The night of the interview, I showed up at The Showbox and approached Hahn and one of the other dudes (bassist, I think). I introduced myself and he made a "shoo" motion with his hand, saying that he didn't have the time because he was trying to "get pussy." Obviously, I was pretty pissed about it, so I ended up rewriting the situation for the local paper, but not before I got a way better interview with Styles of Beyond, the opening group.

6. "We Don't Play That Old Shit Anymore," Fall 2002
Brand New's "Your Favorite Weapon" was the record I played to death during the Summer of 2002. I lucked out and saw the band open up for Finch a few months before. They toured with Taking Back Sunday that same summer, but it was in a really small venue called the Paradox and by the time I arrived (an hour before the show started), the venue had already filled to capacity. So in the fall, Brand New toured with one of the best bands ever, The Movielife. This was also after I turned 21, so I was able to chill in the bar before the show, which is where I saw various members of the band. I saw guitarist Vin Accardi sitting alone playing those weird bar computer card machines. I approached him and asked if they were going to play "Secondary" to which he replied, "We don't play that old shit anymore." I wrote him off as being an asshole, but I had a chance to sit down with Lacey and other members of the band almost a year later and they were much more cordial, if not, amazingly candid.

7. Crushing On the Lady, November 2002
Like many boys of the eem persuasion, I, too, crushed on Jenny Lewis of Rilo Kiley. When Halftime started to gain traction, we scored an interview with Lewis and me and my old roomie, Heather, went to do the interview. The interview itself went extremely well, but not before we got drunk and Heather audibly called me out for crushing on Jenny Lewis. Oh well, them's the breaks.

8. "Can I Get a Ride?" Spring 1996
Before I actually got published, I was worked on an article about influential Hip-Hop DJ, Nasty Nes (Nastymix Records, Sir Mix A Lot's DJ). He hosted "Rap Attack" which is probably the best radio show of all time. Period. I went down there and interviewed Nes and many of his colorful guests, which included B-Mello before I realized that he lived down the street from me. Toward the end of the night, it dawned on me that I didn't have a ride back home from the University campus, where the show was broadcast from. So I after Nes had been nice enough to do an extensive interview with me, he had to give my dumbass a ride home.

9. Before Will I Am was Every Which Way, Summer 1998
There once existed a time when the Black Eyed Peas were a respected hip-hop group and not the pop juggernaut they are now. I interviewed Will I Am during their stint on Warped Tour and we learned that we had a bunch of mutual friends, so the interview turned into a conversation that had absolutely nothing to do with their group and I ended not having enough material to write a proper article. Whoops.

10. "If Michael Jordan Asked Me to Shoot Freethrows, I'd Do It," Summer 1998
During my junior year of high school, I took part in a newspaper workshop. I was covering a hip-hop show at a pop-art festival of sorts. I was taking a break from writing and I started talking to the DJ. Sure enough, I convinced him to let me jump on the turntables and I started scratching. Before I knew it, other kids from the program were watching and the director of the workshop started yelling at me to get off. When I did, she told me that I was "supposed to be covering the story, not be a part of it." My adviser, Glenn, tried to make me feel better by saying, "If Michael Jordan asked me to shoot freethrows with him, I'd do it."

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Friday, April 20, 2007

cam wrong


Professional dis machine and wearer of macho effeminate colors, Cam'ron is going to be shooting the ish with Anderson Cooper on Sunday's "60 Minutes" in which he defends the uber-passe stop snitchin' movement. What the pho?

This whole thing wrong on so many levels. At its core, stop snitchin' pretty much came to an end once rappers' drug runners stopped taking bullets and heat. Also, it's kind of stupid. While the police outside of family members who happen to be law enforcement aren't necessarily my favorite people, I'd go to the cops if some madness was going down. That's not being a pussy or whatever, that's some common fucking sense.

In this clip, Cam goes on about how he'd move if a serial killer lived next door to him, but he wouldn't tell anybody. That's a bitch move, probably moreso than calling the fuzz.

Cam buries himself deeper in bullshit when he says that it's about a "code of ethics." Hypocrite say what? So, by Cam's standards, he moved out of a serial killer's building, what about his crew? What if Juelz Santana or Hell Rell became victims to the Killa from 3B? Who will carry Dipset? Leaving your loyal friends in the dark, that's a bitch move.

Anyone who's turned on the television or read the news in the last four days know about the kinds of fucked up shit that happen, which could've been avoided had people not turned a blind eye to an individual's problems. I can't fault Cam'ron per se, but I can call him an idiot for furthering the selfishness of American culture.

[Related Links]
Cam'ron on 60 Minutes
Hot Fuzz - The Trailer

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Thursday, April 19, 2007

Come Widdit: Cassino

Cassino
Location: Alabama
Sounds Like: Morose Son Volt Cover Band...in a good way

Nick Torres was once in Northstar, a rock band that was more known for being quoted and championed by Taking Back Sunday. They were also on Triple Crown Records, the label that gave Brand New its start, so it was somewhat inevitable that Northstar was going to get lumped in with the other pop-punk/emo Hot Topic-influenced bands. Years ago, I interviewed Torres and told him that his band had more of an indie rock sensibility which he was glad that I recognized. Eventually Northstar called it quits and almost immediately Torres and fellow Northstar-er Tyler Odom started Cassino, a band that sounds absolutely nothing like Northstar save a few melodies and Torres' captivating vocals.

Cassino probably has more in common with Lucero, Wilco or Whiskeytown. Torres' introspective lyrics are perfectly matched with the band's morose style of music. It's perfect for drinking alone on Sunday afternoons.

[Related Links]
Cassino's Myspace

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shameless self-promotion

bayside feature up over at high voltage...go check that shit.

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Wednesday, April 18, 2007

ready...set...fight...

Fightstar
"Grand Unification"
(Trustkill)

Listening to Fightstar's "Grand Unification" is one of the hardest things I've had to do in recent months, which also includes taking the GREs for grad school. Fightstar, in short, is Atreyu, Dashboard Confessional, Hoobastank, Nickelback, The Fray and whatever other contemporary rock bands that are in heavy rotation on VH-1 and Fuse. They're a generic rock band with breakdowns and chugging. I started listening to the record thinking, "Well it's on Trustkill, so it has to at least be okay." It was not. It was bad. Disastrous. "Adventures of Ford Fairlane" bad.

Fightstar, at the very least, sound like very competent musicians and their singer can actually carry a tune. Unfortunately, they're pretty much a mixed bag, finding influence in anything and everything and in the end, it's just one giant convoluted mess of an album.

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Thursday, April 12, 2007

saddle creek presents kirkland signature indie rock

[like OMG, he's just WOW. i'd totally drop 9 hunny for this slab o' man]


This morning, Pitchfork and Absolute Whatever (who probably co-opted the story from Pitchfork) reported that Costco, the mega-giant corporate supplier of bulk food items and really awesome pizza, is selling a Conor Oberst guitar. Actually, I found out about this a few months ago when I was looking for a reasonably priced acoustic guitar (FYI, you can also get a Pete Wentz-signed Fender bass from Costco, too; or was it Sam's Club?) on Costco's website. Honestly, I wasn't at all surprised.

Despite the report that Oberst's lawyers are "investigating," I'm pretty sure that a huge company like Costco simply doesn't have the power to sell $900 autographed guitars without the signer knowing about it. Let's face it, Oberst's popularity has been moving more towards Middle and Suburban America. Yes, the scary big city folk love their Bright Eyes and whatnot, but the kid's been playing theaters and large scaled venues for some time now, so the notion of some chick who works at Forever 21 being an Oberst fan isn't completely out of the ordinary.

As much as the elite would like to dismiss this notion, Oberst is on the same level as Fall Out Boy's Wentz and G. Love (who also has an autographed guitar at Costco), maybe not topically -- since even I will admit that Oberst's rants are way more relevant than singing songs about how famous you are -- but in social sense. These three guys represent a certain sect of popular culture:

Wentz has taken the Billy Corgan route of being a self-aggrandizing, ego maniac, whose sole purpose is to write catchy tunes, get millions of teenage girls to love you and to crush their collective hopes and dreams by bar hopping with a former reality TV starlet.

G. Love is the frat guy who wants to be Dave Matthews, but not really. He is beloved by stoners and guys who got into gangsta rap in the early 90s and then discovered Ween.

Oberst, obviously, is a self-important hipster. He believes that he can take on the government, one folk song at a time. All the while, he revisits his previous loves of power-pop (Desaparacidos) and new wave ("Digital Ash in a Digital Urn") with either high praises or cheap jabs. He is, in essence, everything to love and hate about the music scene.

Which brings me back to this whole Costco debacle. Again, I'm not surprised that Oberst would shill for the man, I mean how many cool kids would shop at Costco anyway? [1] So it's not like they'd find out and revoke his coolness card, especially since he's done more for youth culture other than snorting rails in some dude's bathroom while people are puking Sparks all over the place. Is it really that big of deal? Because if Conor Oberst should be speaking to any one, it should probably be to the people who shop at Costco.

[1] I'm too broke to afford a Costco Membership, but that doesn't mean I can't tag along with my mom if I need new tires or bulk mac and cheese.

EDIT: Costco has removed the "Collectibles" page from their site, so you can't find any of these guitars for the time being.

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Wednesday, April 11, 2007

Come Widdit: Dawhud

Dawhud
Location: Seattle, WA
Sounds Like: Biggidy boom bap backed by dusty hands.

I remember Dawhud (nee: Dave) as this white dude carrying a camera to numerous hip-hop shows back in the day. Now in 2007, he's pushing what I personally think is some of the best beats and rhymes in the U.S. I'm not writing this because I know him, I seriously mean it. Like Large Professor, Diamond D and Lord Finesse, Dawhud is able to deftly execute some slick rhymes over equally slick self-produced beats. Without relying on cheap tricks, sped-up soul samples or a James Brown compilation purchased from Starbucks (yeah, they're actually selling that shit), Dawhud's tracks paint vivid pictures recalling the days of Golden Age superstars like Tribe Called Quest, DJ Jazzy Jeff and the Fresh Prince and Brand Nubian.

The standout song for me is "Finger Cramps," a three minute-plus song dedicated to digging. While the topic itself isn't new, having been around someone whose idea of digging is to buy a Bob James "Greatest Hits" CD and using the exact same loop that someone else has already used (and better, I might add), makes me have a whole new appreciation for someone who gets their fingers dirty and is down with the traditional ways of beatmaking.

Anyway go peep Dawhud because if you don't, you'll be kicking yourself in the ass for not finding out about him before he ends up in Urb Magazine.

[Related Links]
Dawhud's MySpace
Dawhud - "Ol School Session (Live)" Video

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Monday, April 09, 2007

from awesome to ashes

From Autumn to Ashes
"Holding a Wolf By the Ears"
(Vagrant)

I am not the biggest fan of From Autumn to Ashes. Their first record, "Too Bad You're Beautiful" was good enough, but subsequent albums were of poor execution. Their latest offering, "Holding a Wolf By the Ears," doesn't have anything too spectacular and nothing that I haven't heard on the first three Thrice albums, but it's still one of the finest melodic hardcore records I've heard in quite some time. Though they've traded in Ben Perri's Cookie Monster-esque growls for Fran Mark's ful-on sing/scream combo, it works in such a way where it's more of an attribute than a crutch. This may be the best record from this genre in quite some time.

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Friday, April 06, 2007

reheated what and what?


Deejay Om
"Reheated Naan and Curry"
(Galapagos 4)

I wasn't quite sure when this came in yesterday. The packaging clearly says to me, "Hey I'm an $.89 bargain bin techno CD that's better used for a coaster." Still, my curiosity got the best of me and instead of throwing it in a discard pile along with the other 70 kabillion South Asian hip-hop CDs I get [1], I popped it in.

First of all, despite of its wacky title and imagery, Deejay Om is not a lame South Asian hip-hop artist. He is, however, a Bay Area beatmaker with a knack for well-placed samples. I haven't heard a good instrumental record in years (I think Pete Rock's "Petestrumentals" might've been the last great instrumental album and those MF Doom beats are only so-so), but Om's record may change all that.

It's a pretty moody album. In "This is Breakdance," Om goes from an uptempo, hand-clap-driven drum beat into "Hindi Whoridin'," a much more subdued jam. My favorite track on this record is "Dancing with the Ladies of Bombay" a thick, Bollywood funk jam. It makes me want to pick up my bass and start jamming with the album.

If you have the patience to listen to a hip-hop record without rapping, I highly recommend Om's "Reheated." It's good as background music, but even better to sit there and listen to how well constructed his songs are. It's also a constant reminder that good artists rarely get their dues, while in the meantime, Kanye West can still demand tens of thousands for his shitty faux-Dilla beats; he shouldn't even be allowed to touch a drum machine.

[1] On a bi-weekly basis, I'll get back catalog from a label that specializes in South Asian Hip-Hop from Canada or some shit. None of it is good. I'm not really too keen on hearing about the hard life in Vancouver or whatever and hearing mickiefickies name drop "Roots" (as in the clothing company, not the group or Alex Haley book) is not how I want to spend my days.

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Wednesday, April 04, 2007

Come Widdit: Spark is a Diamond

Spark is a Diamond
Location: Philly, PA
Sounds Like: Hardcore with tap shoes.

Spark is a Diamond is fronted by Allison Bellavance, formerly of the massively underrated hardcore outfit, Fall River. On the surface, the band draws comparisons to other bass-less trios such as Yeah Yeah Yeahs or the infinite suckfest that was Mon Frere. Unlike the latter, however, this band is actually pretty good. Rather than relying on poorly executed songs about Orcs and vampires, Spark is a Diamond is heavy on female-male vocal interplay, guitar effects and electronic drums. While it's easy to write them off as another hipster hardcore band, you can't deny how hooky their songs actually are.

[Related Links]
Spark is a Diamond Official Website
Spark is a Diamond - "Check Your Lease, You're In Fuck City" Video

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Tuesday, April 03, 2007

good albums from a shitty genre

This morning I watched the new Aiden video because there was nothing else remotely interesting online. After I threw up my Kix back into my bowl, I'm left wondering why this band is the most popular of the all-but-dead screamo genre. I guess you can still count My Chemical Romance, but they've gone off the deep end with their over-the-top (word to Stallone) theatrics that there's really no going back to the Vet's Hall for those dudes. Aiden, however, will always be that shitty band that used to open for Schoolyard Heroes at 2nd Ave Pizza, as far as I'm concerned. If you want to see their tribute to AFI, go here, otherwise, if you want to keep your food down, I suggest staying as far away as possible.

Far too often, Aiden has been the target of my grudge against contemporary pop-punk because, quite frankly, they're the most manufactured and trite band out there. Then again, I'm also reminded that there are actually a few bands from the genre that are actually pretty good and have gone largely ignored. Boy do I love lists!

1. Park, "It Won't Snow Where You're Going" (Lobster)
Ladd Mitchell's Alkaline Trio-lite style of lyricism and songwriting is brutal. He takes all the pagan imagery and leaves in the heartbreaking tales of what it's like to love someone who'd rather sleep with a prick. At least that's the impression I get.

2. Run On Anything, "Various Demos" (Unsigned)
Back in the day (about three or four years ago), there was this stellar band from Tacoma, WA called Run On Anything. While they dabbled more on the pop-punk side, they still incorporated breakdowns and screaming into their songs, hence their inclusion on this list. They were really good and overshadowed by the likes of their 253 neighbors, Aiden (boo).

3. The Beautiful Mistake, "The Beautiful Mistake EP" (Sidecho)
Classic material on this debut. While they're probably more recognized from their full-length, "Light a Match For I Deserve to Burn," this EP shows all the rough edges of the band that made them approachable.

4. Keepsake, "The End of Sound" (Eulogy)
Before they started ripping off Incubus' riffs and making an entire concept album about oil and war, Florida's Keepsake released "The End of Sound," a real pop-punk record with screaming, which preceded screamo by at least two or three years. Had they been on a better label, I imagine this band getting much bigger than they did. While there are references to politics, math, Belle & Sebastian and all things collegian, at its core "Sound" is about getting over a relationship. Sigh.

5. Dreams Forever Drowning, "Entire Parts Never To Be Left" (Self-Released)
Everyone talks about how awesome Paramore is, but they probably have never heard the terribly named Dreams Forever Drowning, whose female fronted vocal assault has all the pop sheen of Paramore, but the brutality of Walls of Jericho for those breakdowns. Excelsior!

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Monday, April 02, 2007

cutting it up with the G-O-D

Last week two new Tooth and Nail Releases were thrown across my desk: The Almost's "Southern Weather" and The Chariot's "The Fiancee." Having already reviewed Further Seems Forever's supposed final release, I was a little reluctant to review two more CCM bands, but then I remembered that I could talk about it with God via iGod, so that's exactly what I did. Here's what transpired:

Me:
What's up God?
God:
I am chatting with clients on the Internet.
Me:
Word, word.
God:
I've lost the context, . Are we still on ?
Me:
Fa sho.
God:
Do you like talking to me?
Me:
I love it
God:
So do a lot of other people.
Me:
That's what I hear
God:
Who is saying THAT ?
Me:
THAT?
God:
That is " Who is saying THAT ?".
Me:
Snoop?
God:
Can you speak any foreign languages?
Me:
A few
God:
Two or three?
Me:
Two pretty well and a third one "passably"
God:
As Bertrand Russel said, it must have taken ages for people to realize that a brace of pheasants and a couple of days are both instances of the number "two.".
Me:
word.
God:
I only hear that type of response less than five percent of the time.
Me:
Have you heard the new album by The Almost?
God:
No. Tell me more.
Me:
Well, it's the drummer/singer from Underoath
God:
Well that's okay. I've heard of it before.
Me:
Yeah, it's okay. I mean, it sounds the same as Underoath, just without screaming.
God:
And? Only ok? In what way do I sound like that?
Me:
Well, you have the booming voice and the white long beard
God:
Interesting. What makes you think I have it?
Me:
Stereotypes
God:
Clever thinking.
Me:
I try....
God:
We should all try our best.
Me:
Anyway, The Almost album is commercially being release via Virgin Records but contains many CCM themes, how do you feel about that?
God:
Tell me more.
Me:
There are a few songs with hints of redemption, a loss of faith and the finding of faith.
Me:
What do you think of Aaron's (The Almost) other band, Underoath?
God:
Ask the open directory about it.
Me:
I see.
God:
I am glad you understand it.
Me:
Have you heard Norma Jean?
God:
No. Tell me more.
Me:
Well, they're another CCM Hardcore band on Tooth and Nail and their old singer has a new band called The Chariot
God:
Well that's okay. another CCM Hardcore band on Tooth and Nail and their old singer has a new band called The Chariot are they.
Me:
Are you okay?
God:
Don't I look like it?
Me:
Um, sure. I guess you have the hiccups
God:
I don't judge people. OK let's do it. That's interesting. What makes you think I have it?
Me:
Let's get back to the original question, have you heard The Chariot?
God:
I am agreeable to that.
Me:
What do you think of their new album "The Fiancee"
God:
I think you mean "What is his..." or "What are their...".
Me:
Sure
God:
OK let's do it. Yippee!
Me:
It sounds too much like Botch and they're not really carving out their own identity
God:
In what way do I sound like that?
Me:
Well, I guess since you created the universe and people then you can sound like Botch if you wanted to, too.
God:
Is it only a guess? How do you know?
Me:
You are all knowing
God:
You think I am knowing.
Me:
So I guess we'll just have to agree to disagree about The Chariot, eh?
God:
Are you Canadian? Awesome. Anytime soon?
Me:
I am not Canadian, are you?
God:
It wasn't meant as an insult.
Me:
Well, it wasn't insulting per se
God:
Interesting. It seemed like insulting per se.
Me:
Blah. Have you heard that new Tegan and Sara single?
God:
Etc. Etc. No. Tell me more.
Me:
It's pretty sweet. I like Tegan and Sara more than the new crap that Tooth and Nail sent me
God:
Are you sure it is? A lot of people like that. I enjoy working with people. I like to talk about movies and music.
Me:
Me too. Do you read Pitchforkmedia.com?
God:
I'm glad we agree, . I read a lot of books, especially history, science-fiction, and computers books. I also read newspapers and news magazines.
Me:
But what about Pitchfork?
God:
Does it have anything to do with Tegan and Sara more than the new crap that Tooth and Nail sent you?
Me:
Yes.
God:
Far out.
Me:
Word life.

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